19 Sept 2011

International again ...

September is an iffy month for me. I have to get used to tell people I'm a year older - that in itself can be traumatic - it's also the month when it's no longer possible to ignore autumn. There's firewood for the winter to order, the winter tyres, woolen  socks to find and the extra windows to bring down from the attic. This September apparently has had more rain than any other September in recorded history. Jeez, you don't say ...
So when I learn that one of our books have been published in Denmark, I'm thrilled. Just the kind of news that's nice to know on a rainy evening.
The book was picked up by a Danish publisher about three years ago, and we've more or less forgotten all about it. If you read Danish there's a review on DR (Denmark Radio): Review of The Attic. And if you want more this is the publisher's page: The Attic on Forum (Rosinante publishers). They have bought the next in the series: The Changeling, so hopefully the'll also buy The Park, and publish both. Fingers crossed!

I have tendency to think that Sweden and Denmark isn't really International, but that's not right of course! Since Denmark is - even if the language is more or less the same - another country, it's International. I doubt if a British writer would consider a publication in the US as domestic ...

4 Sept 2011

A visit at the high sea …

IMAG0271
These feet have walked where legends once stood. It’s kind of cool.

Who the legends are? Marlon Brando and Johnny Depp, of course.The Bounty was in Oslo for a few days, and of course we had to check it out. where Captain This is the ship where Marlon Brando was the dashing Christian Fletcher! This is also the ship Jack Sparrow was so keen on getting back.
The ship as commissioned by the movie company in the early sixties, so not so old. And surprisingly small.
A great way to spend a Friday afternoon – and lucky for us, this was the only day this weekend that it didn’t rain.

I'm still getting use to my new computer. Otherwise there would even be som pics of me, but I can't get Anans Sony Ericsson to work with my Toshiba. I have no  idea why. I can't get the printer to connect either, so it's a bit of a mystery, really. But at least I'm using it. I had it in the box for almost a month before even unpacking it ...

30 Aug 2011

Happy Birthday to me!

I was going to say something sensible about writing synopsises (is that even a word?), something I've been working on for a couple of weeks, but I don't make much sense after way too many ice mocchas and pieces of chocolate cake. So to quote the immortal Arnold: I'll be back!

14 Aug 2011

Jane Eyre ...


I've now seen the new Jane Eyre film (twice), and the conclusion is clear: The BBC version from 2006 with Ruth Wilson and Toby Stephens is the best so far.
It was beautifully filmed, good actors, but I yawned half way through and that's not really a good sign, is it? When I read Jane Eyre I'm always struck by the warmth and humour between Jane and Rochester, and I missed that in this film. There was no connection between them and that's no good for a romance!
So here's a taste from the best Jane Eyre movie so far:



9 Aug 2011

On Scandinavian crime literature

BBC 3 Radio sent this last night: Val McDermid and Louise Welsh discusses the Scandinavian Crime Wave - and no, not of the breaking and entering kind, but in literature. Very interesting!

Scandinavian Crime Writing

23 Jul 2011

Life changed

Oslo, 22nd of July at 15.26 local time.
I heard a faint rumble on my way to buy a newspaper. I didn't think much about it. It was just bad weather. Nothing new about that.
I went back to the coffee house where I was sitting with Anan, discussing a synopsis we were working on. Everything was normal. We read the paper, drank coffee, two toddlers were running around playing hide and seek among the table, the music was a bit too loud and so was the sound from the huge coffee machine. It was hot and humid. I work so much better with rain than heat, so I was hoping it would start to rain soon.
The phone rang. Anans wife was telling us that something happened at one of the newspapers, VG. She said there had been a huge explosion in VG's building.
I couldn't believe it. My romance publishers buildings is just opposite VG. My children's books publisher a block further down. I have friends and colleagues in the area, I shop there, I walk there often. It's smack in the center of town.
Anan talked to his wife, and I logged on the Net with my phone. At first only confusion, then that the explosion happened either inside or just outside the government buildings.
Our first reaction was to go down there, to see for ourselves. But the newspapers all said to keep out away.
So we went home and turned on the TV.
The pictures and stories just got worse over the night. It was impossible to believe it at first. The usual question kept coming up. How is this possible?
Everyone was speculating. Was it some unknown Jihad-fraction? Was it Mullah Krekar? Was it because of Afghanistan or Libya?
Then the reports from Utøya kept coming in and getting worse by the minute. Who were this people? Who could do something like this to a summercamp filled with young people?
And when they said this was done by a man dressed in a police uniform, a Norwegian … suddenly this wasn't done by fanatics from the other side of the world. We couldn't say it was Them anymore, this was one of Us.
The man lived a few blocks away from where I live. I might have seen him in the shops and never given him a thought.
It's not possible to understand why he did what he did. It's defies any kind of explanation. He might try to justify himself by saying it was a political attack, but attacking children the way that he did has nothing to do with politics.
Today we went downtown to see for ourselves. To make it real in a way. The bomb area was sealed off. There was soldiers in the streets. Soldiers with automatic guns. They all looked painfully young to me. All the shops were closed. People were silent, talking in low voices..
Later, when we waited for the tram home, I noticed people talking to each other. Strangers asking: Where were you? Did you hear the explosion? Isn't it horrible? And he's Norwegian! How could he?
There is nothing we can do to make sense of his actions, we can only try to take care of each other. We can look at the darker aspects of our culture and say no to it. We can turn away from this senseless action, and do our best to not let people like that win.
I have faith that we will manage to do this.
I was not directly affected by this. Nobody I know was killed or wounded, and for that I'm grateful.
My heart goes out to all those who have lost someone. For them life has changed forever.

15 Jul 2011

On the art of query letters ...

“Above all, a query letter is a sales pitch and it is the single most important page an unpublished writer will ever write.” Nicolas Sparks.


No pressure, right?
Query letters are letters that introduce you and your writing to a potential publisher or agent. Basically you write a few words about your self and your manuscript, and hope that you sound convincing enough for the publisher or agent to ask for sample chapters and a synopsis, hopefully followed by a request to see the entire manuscript, and then they will sing you praises and commission your book, making you rich and famous … It sounds so easy!
Now for those of us who are not English or American this is an odd exercise. The typical query letter in Norway is written to a potential publisher. Our market is far to small for agents, so you always send your manuscript to a publisher.
Usually it goes something like this:



Hi(insert name of the editor).
We've written a crime novel and we hope you will find it interesting.
Best wishes.
Anan Singh & Natalie Normann.

We never use «Dear sir or maam» simply because these forms fell out of use here some time in the sixties. Oh, and we never used the term Sir anyway.
If the publisher reads the manuscript and likes it, then they call you and you tell them whatever information about yourself they want. Mostly they're not interested. A publisher here will buy one book at the time and reserves the right to reject your next book if they don't like it.
But to write to an British or American agent is an entirely different cup of tea. Jeez. That's hard work!
Anan and I wrote a letter like this a few weeks back and we agonized over the content for ages. How much bio? What would be the one thing that would convince the person at the other end of how much they would regret saying no to us? Should it be formal, or more personal? How personal? How formal?
How the h... do you decide what's the right approach?
This is where we run into cultural differences. Anan is Indian, so formal is expected: formal and wordy. Being Norwegian, I believe that the fewer words, the better. We've got a lot of practice now, so we usually find a middle road. It helps knowing that a queary letter should only be a page long! Here's a hint: if your submission is done by e-mail, the query letter can be slightly longer. It's not like the Agent/Publisher is going to cut out the text from the e-mail and check! At least I hope not …
Any good book on writing will also give advice on how to write a good query letter. Just use your head and don't copy without thinking it through! What works for one person, doesn't necessarily work for someone else ...
This is how not do to it, in case you need to know: Slush Pile Hell